Jumat, 22 April 2011

[Q185.Ebook] Ebook Galaxy Formation and Evolution, by Houjun Mo, Frank van den Bosch, Simon White

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Galaxy Formation and Evolution, by Houjun Mo, Frank van den Bosch, Simon White

The rapidly expanding field of galaxy formation lies at the interface between astronomy, particle physics, and cosmology. Covering diverse topics from these disciplines, all of which are needed to understand how galaxies form and evolve, this book is ideal for researchers entering the field. Individual chapters explore the evolution of the Universe as a whole and its particle and radiation content; linear and nonlinear growth of cosmic structure; processes affecting the gaseous and dark matter components of galaxies and their stellar populations; the formation of spiral and elliptical galaxies; central supermassive black holes and the activity associated with them; galaxy interactions; and the intergalactic medium. Emphasizing both observational and theoretical aspects, this book provides a coherent introduction for astronomers, cosmologists, and astroparticle physicists to the broad range of science underlying the formation and evolution of galaxies.

  • Sales Rank: #906447 in Books
  • Published on: 2010-06-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.72" h x 1.57" w x 6.85" l, 3.90 pounds
  • Binding: Hardcover
  • 840 pages

Review
"Unraveling the origin and growth of cosmic structures, from the simplicity of the Big Bang to the complexity of the modern Universe, is an unparalleled achievement of modern science. Written by renowned world experts, this book presents a clear, systematic and comprehensive exposition of the physics and mathematics underlying these breathtaking advances. It is compulsory reading not only for those aspiring to contribute to our growing understanding of the cosmos, but for all those who appreciate the beauty and power of contemporary physical science." - Carlos S. Frenk, Ogden Professor of Fundamental Physics, Director, Institute for Computational Cosmology, Durham University

"...a comprehensive text on the modern subject of galaxy formation and evolution. The book is fully self-contained, covering the basic theory in depth, and including the essential background material on observations and the relevant theory from extragalactic astronomy, stellar astrophysics, and cosmology. It will serve as an indispensable reference for students and researchers alike, and is destined to become a classic in this field." - Robert C. Kennicutt, Jr., Plumian Professor of Astronomy and Experimental Philosophy, Director, Institute of Astronomy, University of Cambridge

"Every topic is extremely well referenced and current ... This book is likely to be an essential reference for any galaxy-formation-research student or professor. In the coming years I can see myself dipping into this treasure trove on a very regular basis." Shaun Cole, The Observatory

"...an ideal introduction for anyone with a minimal background in astrophysics who wishes to enter the field of large-scale structure formation. It is well suited for use in a general astrophysics course for senior- undergraduate and graduate students and is also an excellent reference source for more advanced courses on specific topics in astrophysics. The authors are leading theoretical astrophysicists who have made major contributions to galaxy formation theory. Their text provides a comprehensive review of relevant topics, ranging from the growth of the first density fluctuations to the evolution of the stellar populations in galaxies. It is a timely update of similar but now more dated texts...." Physics Today

About the Author
Houjun Mo is Professor of Astrophysics at the University of Massachusetts. He is known for his work on the formation and clustering of galaxies and their dark matter halos.

Frank van den Bosch is Associate Professor at the University of Utah, and is known for his studies of the formation, dynamics, and clustering of galaxies.

Simon White is Director at the Max Planck Institute for Astrophysics in Garching. He is one of the originators of the modern theory of galaxy formation and has received numerous international prizes and honors.

Most helpful customer reviews

9 of 9 people found the following review helpful.
The definitive work
By Revanchist
Although there are several excellent textbooks in the area, I firmly believe that this one will become the standard reference in the area. The breadth of the topics covered alone would make it shoot up to the ranks of the top, and when one factors in all the detailed calculations and results that are presented to make the book wholly self-contained, it is easy to see why this book deserves to become the definitive work in galaxy formation and evolution.

The first two chapters present a general theoretical and observational overview of the subject, but the real fun begins from the third chapter. The three authors have chosen to follow the cosmological timeline, and hence chapters 3 and 4 deal with cosmology. Chapter 3 which lays the background for cosmology is brilliant, and could serve as a self-contained monograph on the subject. The next chapter which treats cosmological perturbations is equally noteworthy for its treatment, both Newtonian and relativistic, of small perturbations. Chapter 5 leads up to the episode of gravitational collapse and the subsequent consequences. At this point, several techniques used in probing the cosmos such as correlation functions, gravitational lensing, etc are presented in Chapter 6. Chapters 7 and 8 focus on halo formation, the former on dark matter and the latter on gas. Both these chapters cover some very important topics such as the Press-Schechter formalism, radiative cooling, etc. Chapter 8 also features a nice, though compact, discussion of fluid dynamics and instabilities. Chapters 9 and 10 are concerned with the formation and evolution of stars. Topics such as the star formation efficiency, the IMF, population synthesis, etc were presented in a clear and detailed manner. Chapters 11, 12 and 13 are primarily concerned with the types of galaxies and the interactions that can occur between galaxies. The formation of disk and elliptic galaxies, sections on dynamical friction and disk instabilities are some of the best features in these chapters. Chapter 14 deals with AGNs and the properties of active galaxies. The statistics and distribution of galaxies are looked at in Chapter 15. The last chapter is on the IGM and is one of the best chapters in the book; it could again serve as a monograph on the subject by itself.

There are several cutting edge topics presented through all the chapters. For instance, Chapter 9 features an entire section on Pop III stars, which is an active area of research currently. In a book this long and packed with detail, there are bound to be a few aspects of the book which one may find fault with. I felt that some topics such as gravitational lensing and the Press-Schechter formalism could have been covered in a more lucid manner, since some of the derivations and the discussion tended to get unnecessarily complicated at times.

These are only a few minor glitches in an outstanding work. A truly remarkable book and (one hopes) is destined to become the Bible of galaxy formation and evolution.

4 of 4 people found the following review helpful.
The grad student's helper
By Tim
Are you a graduate student in astronomy? Do you own this book? If not, go buy it **right now**. This book digests thirty years of literature in astronomy, touching such diverse subjects as nucleosynthesis to the ten-fold decrease in star formation since z~1 and QSO absorption spectra to SPH simulations. It will be a useful reference text in all of your classes. Is it intended for the arm-chair astronomer? Definitely not. But it is readable, assuming you have a fundamental understanding of astrophysical processes. And it will save any grad student a great many hours of reading through ADS.

1 of 1 people found the following review helpful.
Bible of Cosmology and Galaxy Evolution
By lee
This is written at the graduate / research level. It provides a detailed explanation of both cosmological and galaxy evolution topics. I particularly enjoyed the discussion of cosmological perturbations, inflation and the CMB. I have many times used it as a starting point when investigating a new topic in my research field.

It is extremely densely written, but all the information and equations are there. It may be dense but it is well explained, provided you take the time to read it. This is a great companion text to Binney and Tremaine's "Galactic Dynamics".

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Minggu, 10 April 2011

[Z374.Ebook] Download PDF Conventional Label Printing Processes: Letterpress, lithography, flexography, screen, gravure and combination printing, by John Morton, Ro

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Conventional Label Printing Processes: Letterpress, lithography, flexography, screen, gravure and combination printing, by John Morton, Ro

This book explains the principles of each of the main conventional printing processes used in the production of labels as well as the types of printing equipment used.

Although conventional printing is under pressure from digital processes, it remains a potent force in the sector. The relative popularity of each printing process will always change and some will become entrenched in their own particular niches. It is important, however, to have a fundamental understanding of each process, the mechanics behind them and how they are evolving and changing.

This book aims to provide this knowledge in a clear and concise way.

Chapters include:

  • The changing landscape of label printing
  • Label press configurations and ancillary equipment
  • The letterpress printing process
  • The lithographic printing process
  • The flexographic printing process
  • The screen printing process
  • The gravure printing process
  • The combination press

  • Sales Rank: #925388 in Books
  • Published on: 2014-08-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .23" w x 8.00" l, .46 pounds
  • Binding: Paperback
  • 96 pages

About the Author

John Morton has hands-on experience of all the major printing processes and has held operational and technical development roles at director level in the packaging sector. A qualified printer, John’s career spans magazine production, commercial print, packaging and label production.

Before joining 4impression John was actively involved in the Unilever advanced printing and decoration training courses attended by delegates from operations around the globe.

Robert Shimmin has held senior marketing and business development positions in the print, packaging and label sector spanning more than 20 years. He is a regular contributor of articles to the print and packaging trade press and has supported initiatives that seek to build awareness of the latest research and innovations emanating from UK universities.

In addition to his involvement with 4impression he runs Shimmin Associates, a research and marketing consultancy offering support to both UK and international customers in the label and packaging sector.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Okay alternative to Harry Potter.
By Chian
Simple, straightforward, and teaches what the cover says. A bit pricey though.

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When students once master the concepts of the finite element method (and meshing), it's not long before they begin to look at other numerical techniques and applications, especially the boundary element and meshless methods (since a mesh is not required). The expert authors of this book provide a simple explanation of these three powerful numerical schemes and show how they all fall under the umbrella of the more universal method of weighted residuals. The book is structured in four sections. The first introductory section provides the method of weighted residuals development of finite differences, finite volume, finite element, boundary element, and meshless methods along with 1D examples of each method. The following three sections of the book present a more detailed development of the finite element method, then progress through the boundary element method, and end with meshless methods. Each section serves as a stand-alone description, but it is apparent how each conveniently leads to the other techniques. It is recommended that the reader begin with the finite element method, as this serves as the primary basis for defining the method of weighted residuals. Computer files in both MathCad and MATLAB are available from the fbm.centecorp.com website, along with example data files.

  • Sales Rank: #3819243 in Books
  • Published on: 2014-10-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 10.00" h x .75" w x 7.01" l,
  • Binding: Hardcover
  • 334 pages

About the Author
University of Nevada, Los Vegas

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Jumat, 01 April 2011

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The Heart of Godly Leadership, by Hudson T. Armerding

Book by Armerding, Hudson T.

  • Sales Rank: #1189777 in Books
  • Brand: Brand: Crossway Books
  • Published on: 1992-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.50" w x 1.00" l,
  • Binding: Hardcover
  • 220 pages
Features
  • Used Book in Good Condition

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The Heart of Godly Leadership
By B. Louise Swanson
This book gives a lot of insight into the spiritual warfare that Christians have to fight. It lets us know that we have stronger weapons that are not physical. That we have to recognize who it is we fight against so that we can be more effective in our warfare.

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Jumat, 25 Maret 2011

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Commencement of Laytime is the only in-depth examination and discussion concerning the most important financial aspect of laytime which can affect all voyage charter parties and international contracts for the sale of goods. The information is presented in a style which is readable by ship operators, traders and other lay persons as well as legal professionals.

  • Sales Rank: #3213912 in eBooks
  • Published on: 2013-05-02
  • Released on: 2013-05-02
  • Format: Kindle eBook

About the Author

Donald Davies is a barrister of Gray's Inn, a master mariner, and a Fellow of the Institute of Chartered Shipbrokers, the Chartered Institute of Arbitrators and the Nautical Institute.

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Selasa, 22 Maret 2011

[A624.Ebook] Ebook Virtual Competition: The Promise and Perils of the Algorithm-Driven Economy, by Ariel Ezrachi, Maurice E. Stucke

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Virtual Competition: The Promise and Perils of the Algorithm-Driven Economy, by Ariel Ezrachi, Maurice E. Stucke

Shoppers with Internet access and a bargain-hunting impulse can find a universe of products at their fingertips. In this thought-provoking exposé, Ariel Ezrachi and Maurice Stucke invite us to take a harder look at today’s app-assisted paradise of digital shopping. While consumers reap many benefits from online purchasing, the sophisticated algorithms and data-crunching that make browsing so convenient are also changing the nature of market competition, and not always for the better.

Computers colluding is one danger. Although long-standing laws prevent companies from fixing prices, data-driven algorithms can now quickly monitor competitors’ prices and adjust their own prices accordingly. So what is seemingly beneficial―increased price transparency―ironically can end up harming consumers. A second danger is behavioral discrimination. Here, companies track and profile consumers to get them to buy goods at the highest price they are willing to pay. The rise of super-platforms and their “frenemy” relationship with independent app developers raises a third danger. By controlling key platforms (such as the operating system of smartphones), data-driven monopolies dictate the flow of personal data and determine who gets to exploit potential buyers.

Virtual Competition raises timely questions. To what extent does the “invisible hand” still hold sway? In markets continually manipulated by bots and algorithms, is competitive pricing an illusion? Can our current laws protect consumers? The changing market reality is already shifting power into the hands of the few. Ezrachi and Stucke explore the resulting risks to competition, our democratic ideals, and our economic and overall well-being.

  • Sales Rank: #2233743 in Books
  • Published on: 2016-11-14
  • Original language: English
  • Dimensions: 9.25" h x .59" w x 5.91" l, .0 pounds
  • Binding: Hardcover
  • 368 pages

Review
This is a groundbreaking, critical work―a major contribution to the field of competition law. (Frank Pasquale, author of The Black Box Society)

Ezrachi and Stucke provide a compelling analysis challenging the orthodoxy that modern technology empowers consumers. Their findings will send a shiver down the spine of consumers, businesses, public policy makers and anyone working in the competition field. Virtual Competition is a fast-paced, mind-boggling thriller that you can’t put down; a thriller in which we are all set to be the victim. (Alan Giles, Saïd Business School, University of Oxford)

Virtual Competition provides an intriguing and provocative look at the potential dark side of big data and big analytics. The debate over digital competition is just beginning, and Ezrachi and Stucke have laid down a marker that is likely to capture wide attention. (Jonathan Levin, Stanford Graduate School of Business)

Ezrachi and Stucke’s insights into data-driven opportunities, collusion scenarios, discrimination, and ‘frenemies’ will help authorities distinguish between true efficiencies and anti-competitive problems, and ensure that most enforcement at least keeps up with technological developments. Forward-thinking competition authorities can use these insights proactively to help craft government policies that ensure that innovation and competition are real, while problems are addressed quickly and thus―hopefully―remain virtual. (Philip Marsden, Inquiry Chair, Competition and Markets Authority)

A thought-provoking, clearly written examination of the coming effects on markets and competition of computer algorithms, big data, big analytics, and ‘super-platforms,’ drawing on real-life examples, on neoclassical and behavioral economics, and on the authors’ deep understanding of U.S. and EU competition law. (Harry First, New York University School of Law)

About the Author
Ariel Ezrachi is Slaughter and May Professor of Competition Law at the University of Oxford.

Maurice E. Stucke is Professor of Law at the University of Tennessee and co-founder of The Konkurrenz Group.

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Jumat, 18 Maret 2011

[Z272.Ebook] Ebook Download Lost in the City, by Edward P. Jones

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Lost in the City, by Edward P. Jones

“Original and arresting….[Jones’s] stories will touch chords of empathy and recognition in all readers.”
—Washington Post

 “These 14 stories of African-American life…affirm humanity as only good literature can.”
 —Los Angeles Times

A magnificent collection of short fiction focusing on the lives of African-American men and women in Washington, D.C., Lost in the City is the book that first brought author Edward P. Jones to national attention. Winner of the Pulitzer Prize, the National Book Critics Circle Award, and numerous other honors for his novel The Known World, Jones made his literary debut with these powerful tales of ordinary people who live in the shadows in this metropolis of great monuments and rich history. Lost in the City received the Pen/Hemingway Award for Best First Fiction and was a National Book Award Finalist. This beautiful 20th Anniversary Edition features a new introduction by the author, and is a wonderful companion piece to Jones’s masterful novel and his second acclaimed collection of stories, All Aunt Hagar’s Children.

  • Sales Rank: #256600 in eBooks
  • Published on: 2009-10-13
  • Released on: 2009-10-13
  • Format: Kindle eBook

From Publishers Weekly
Young and old struggle for spiritual survival against the often crushing obstacles of the inner city in these 14 moving stories of African American life in Washington, D.C. Traveling street by street through the nation's capital, Jones introduces a wide range of characters, each of whom has a distinct way of keeping the faith. Betsy Ann Morgan, "The Girl Who Raised Pigeons," finds inspiration in the birds she cares for on the roof of her apartment building. Middle-aged Vivian Slater leads a hymn-singing group in "Gospel." The narrator of "The Store" labors to build up a neighborhood grocery; in "His Mother's House," Joyce Moses collects photographs and cares for the expensive home her young son has bought her with his crack earnings. Depicting characters who strive to preserve fragile bonds of family and community in a violent, tragic world, Jones writes knowingly of their nontraditional ways of caring for one another and themselves. His insightful portraits of young people and frank, unsensationalized depictions of horrifying social ills make this a poignant and promising first effort.
Copyright 1992 Reed Business Information, Inc.

From School Library Journal
YA-- In these 14 stories set in black neighborhoods of Washington, DC in the '60s and '70s, Jones establishes a mood and a specific sense of place, but he also presents universal hopes and aspirations. Beautifully and economically written, the selections are filled with revealing details of poverty and degradation, and yet the protagonists are survivors who look to find hope and meaning in their lives. The haunting, grainy black-and-white photographs add to the real, though slightly hazy, atmosphere and reveal the underlying grit portrayed so evocatively in the prose. A more-than-worthwhile addition. --Susan H. Woodcock, Potomac Library, Woodbridge, VA
Copyright 1993 Reed Business Information, Inc.

From Library Journal
As Academy Award-nominated director John Singleton said of the violence in his film Boyz N the Hood , "It's what's goin' down in America." Jones addresses similar sociological realities in his collection of 14 short stories, writing affectingly of African American life in our nation's capital. This is not the Washington of monuments, tourists, and the federal government; rather, it is the darker side of the city. Jones describes the harsh realities of life that exist for some African Americans in our society: a young aspiring singer shot dead by her boyfriend (the father of her child), a young man thieving to earn a living, a daughter desperately searching for the "why" in her mother's stabbing death. Although these experiences will be unfamiliar to many readers, Jones instills humanity in his characters and stories. He depicts people struggling to overcome adversity and survive in a dangerous world. For popular collections.
- Kimberly G. Allen, National Assn. of Home Builders Lib., Washington, D.C.
Copyright 1992 Reed Business Information, Inc.

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31 of 32 people found the following review helpful.
Phenomenal!
By Amazon Customer
I have a strange suspicion that I would not have read Lost in the City if Edward P. Jones had not won the Pulitzer Prize for The Known World. And I think that would have been a big, big mistake.

This is an excellent collection of short stories, even for someone who doesn't really know a thing about Washington, D.C. or the people who live there. The stories aren't short stories in the most traditional sense - they don't end with surprising or inevitable events or revelations. But each and every glimpse into the lives of these characters is interesting, thoughtful, and specific. Jones manages to paint a colorful, human, and memorable picture of the lives of each of the characters he introduces.

Perhaps the most arresting part of his the stories, for me, is the language. There are so many passages that I will remember, but I will only share a few. In the story "Young Lions," a character named Caesar says to his girlfriend that he loves her:

"I'm glad you told me," she said. "I was beginning to wonder. You made my day."

He promised to fix her dinner before to went to Manny's and he told her once again that he loved her.

"I wish I could record that," she said, "and play it back any time I wanted."

These lines alone told me so, so much about the girlfriend, Carol, and I know that I won't forget her. Later, a character in a story called "The Sunday Following Mother's Day" notes that her father "sounded like every black country person she had ever heard, those people who talked of fetchin this and wearin britches and someone commencin to do such and such." I laughed out loud, because I, too, know some of these country people, and Jones's description is perfect. In the last story, "Marie," Jones write that Marie "was eighty-six years old, and had learned that life was all chaos and painful uncertainty and that the only way to get through it was to expect to chaos even in the most innocent of moments. Offer a crust of bread to a sick bird and you often drew back a bloody finger."

Another delightful aspect of the book is that characters don't disappear at the end of a story. The two teenage girls who appear briefly in "The Night Rhonda Ferguson Was Killed," pregnant and moving in together, show up again as adults with 20-year old sons in "His Mother's House." Two other characters in "Rhonda Ferguson" also appear in their own story in "A Butterfly on F Street." There are a few other characters who appear twice, and I believe that several minor characters in this collection will appear in Jones's next short story collection, which should be published this year. (One of the stories was already published in the New Yorker.) I can't wait to read them all.

21 of 21 people found the following review helpful.
Great Collection by a Gifted Writer
By Jonathan Carr
This collection, first published in 1992, was considered Jones's first literary effort. I find this idea of firsts interesting and would like to look at it briefly before I move on to a few of the craft elements in his stories that I would most like to steal.

This collection of short stories was published a decade before Jones won the 2004 Pulitzer Prize for his novel "The Known World." Some of the stories in the collection were first published in the 1980s in literary magazines like Ploughshares and Callaloo. One of the stories "Marie" also appeared in the Paris Review in 1992. The thing that I find interesting is that these publications do not seem to register with the general public or even reviewers. Instead, his books are presented as sudden, award winning events. Instead of a writing career spanning 25 years of craft and respectable publications, we are presented with the image of a of sudden event, a spectacular storm, a writer whose first novel won the Pulitzer Prize.

In any event, the first thing I did when I opened "Lost in the City" was to read the opening lines of each story. I wanted to see how and where he began his stories. I was thinking of an essay by Debra Spark called "Getting In and Getting Out." The essay appears in "Bringing the Devil to His Knees: The Craft of Fiction and the Writing Life." There is an anecdote in the essay about a friend the author who is screening stories for the Iowa Short Fiction Prize. She says, "If I have to read another story that begins `The alarm clock rang,' I'll shoot myself."

Although I have never started a story with this particular phrase, I do tend to begin a story at the beginning. So as I read through the Jones collection I paid particular attention to the places he began his stories.

In "The Girl Who Raised Pigeons," Jones begins the narrative at some undefined future moment when the crisis of the story has already forced the characters' world to change. "Her father would say years later that she had dreamed that part of it, that she had never gone through the kitchen window...." The story never travels completely forward into the world from which these first lines are described. However, the story does end with a certain inevitability--a sort of narrative arc that points forward so that we understand how the characters arrive to the point we find them in the opening of the story.

"The Girl Who Raised Pigeons" covers a lot of ground in twenty-five pages. It outlines the decay of a Black, D.C. neighborhood and shows us how that decay affects the community. On one level it is a story about a father's coming to fatherhood as well as his young daughter's coming of age. It is about the place and the power of the natural world even in the urban environment. It is about an urban Black community on the edge of change.

The narrative is carried along by the story of the young girl and her pigeons. The story is usually told through a close third person narrator; however, the point of view does shift at times from the young girl, Betsy Ann Morgan, to other characters. These shifts offer insight into the community in which Betsy and her father live. But these shifts seldom last for more than a line or two and then quickly move back to Betsy.

I paid close attention to these shifts in point of view. But before I discuss them I would like to think a bit more about where these stories begin.

Another story that begins post-crisis is "The First Day." The story opens with the line: "On an otherwise unremarkable September morning, long before I learned to be ashamed of my mother, she takes my hand and..." This is the story about a child's first day of school. The story is short, only 5 pages, but it has taken a common event, a child's first day of school, and uses it to point out the divisions between social classes in the Black community. One of the interesting things about this story is that it is told in the first person. The protagonist never reaches the crisis described in the first line within the span of the story. The narrator shows nothing but love and admiration for her mother throughout the course of the story. We are lead by that single clause, "long before I learned to be ashamed of my mother," and the trajectory of the story to understand that the protagonists shame is inevitable.

I find it fascinating that he entire story hinges on this single clause. We never see a hint of shame in the narrator aside from her opening line. If that clause were deleted we would not necessarily know that the narrator would ever come to be ashamed of her mother. But knowing this first line and following the trajectory of the story we know that the crisis and the change are inevitable.

Jones also opens his stories from the middle. The narrator then takes the story back to that middle before moving farther forward. He does this in the story "A New Man."

"A New Man" begins with the lines, "One day in late October, Woodrow L. Cunningham came home early with his bad heart and found his daughter with two boys." The narrative eventually makes its way back to explain exactly how Woodrow came to find his daughter with two boys, but it does not stop there. The narrative continues. It carries the story farther. We come to understand exactly what this event means in the life of Woodrow and how it comes to define his essential character.

Now, rather than continue with this idea of how or where Jones begins his stories, I would like to move on to two other divices Jones uses: point of view, and the idea of epiphany and change within a character.

As I mentioned earlier, Jones does not shy away from changing the narrative point of view if it serves the story. But the places where he shifts point of view seem to be dependent on a few things. He only ever shifts in a third person narrative. The point of view never shifts for more than three or four sentences. The point of view only shifts in stories that are 20 pages in length or longer. He always quickly brings the point of view back to its original place.

It is the brevity in the shift that I find most interesting. It is like one of those little flashes of insight that Woolf wrote about--matches struck unexpectedly in the dark--or the mirror in Joyce's "The Dead." The shift lets us see for a moment how the character looks within their world. For example the title story of the collection, "Lost in the City," is told by a close third person narrator. However, there are two moments in the story where the focus shifts from the protagonist, Lydia Walsh, to her taxi driver. The first shift occurs about two thirds through the story: "He thought that maybe she had been born elsewhere, that she did not know Washington, would not know the streets beyond what the white people called the federal enclave." This shift in point of view ends quickly. The narrator brings our focus back to Lydia. "But in fact, the farther north he went, the more she knew about where they were going."

At the end of "Lost in the City," the point of view again shifts for a moment. "The cab driver thought that her crying meant that maybe it had finally hit her that her mother had died and that soon his passenger would be coming to herself."

I suspect that it is the brevity of these shifts that make them work. Another aspect of these shifts is the fact that they are subtly revealing--not deeply or overtly revealing--and they are always revealing something in the protagonist. These shifts in point of view seem to stress the importance of community in these stories. They show, however briefly, that these characters do not live in isolation, that on some level they are always aware of themselves within the context of others--or perhaps it is that we should always be aware of them within the context of a greater community.

The final aspect of this collection of stories that I would like to look at relates to an issue raised in an essay by Jim Shepard titled, "I Know Myself Real Well. That's the Problem." In this essay, Shepard criticizes the tendency for novice fiction to create characters who are "whooshing along the conveyor belts" of narrative toward some kind of epiphany. Given that my stories have this tendency, I am curious how Jones creates a sense of movement and revelation without allowing his characters to fall into that whooshing conveyor belt.

One way that Jones avoids this narrative conveyor belt is by beginning the story someplace other than the beginning and ending the story in a place that points to the inevitability of change or crisis, but he does not necessarily show us that change or crisis. This can also be seen in the story, "The First Day." We do not experience the moment when the narrator becomes ashamed of her mother. We are told in the opening line that the narrator will indeed one day be ashamed of her mother. We are lift at the end of the story with the inevitability that, despite the strength and character of the mother, the child will one day become as ashamed of her as other members of the community.

Often in this collection of stories the narrator is not even aware of his or her change. The reader senses that something is in fact permanently altered, but it is difficult to say exactly what that thing is. At the close of the story "My Mother's House," we do not find the protagonist, a mother whose biological son has just murdered by her godson over a dispute involving drugs and money, in the throws of some sort of epiphany.

Her husband, who is not the father of either child, works as a bodyguard for her biological son. Her husband skulks away from the scene of the crime, leaving her in the street to comfort her dieing godson. She has always known that her husband was a weak man. At the close of this story we find the protagonist drinking a fifth of vodka and walking from room to room in the house her drug-dealing son purchased for her. She unlocks all the doors and windows, "for Santiago (her son) had no key to her house. And outside that house there was a very cruel would and she did not like to think that her child was out there without a place to come to."

The protagonist knows throughout the story that the world is indeed cruel. The cruelty is not a revelation. Nor does she necessarily seem poised to make some sort of change. In fact, she opens her house in a rough neighborhood so that her son, who has just murdered her godson and pointed a gun at her face, may come into the house for comfort.

Perhaps the real change at the end of this story takes place in the reader. After we have experienced this world, we can never view these characters or their world in the same light--we will never be able to read this story in the same way again.

In the end, there are still many more aspects of this collection that will occupy me throughout the coming months. I have marked my copy of the book with many notes. I find myself referring back to them often.

12 of 13 people found the following review helpful.
Extraordinary
By Martha B. Spencer
Jones is a very gifted writer; his characters are so believable and real. These are not the happiest of stories, but the quality of his writing is extraordinary. The two stories that stood out for me were "Orange Line to Ballston" and "Marie." Marie is an elderly woman who has outlived three husbands and must deal with the indignity of going for interviews at the Social Security office to be sitting there for hours on end long past the time for her appointment and treated as if she were invisible. Poignant and beautiful portrait of old age.

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