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"The first thing to realize about the study of color in our time is its uncanny ability to evade all attempts to systematically codify it," writes Charles A. Riley in this series of interconnected essays on the uses and meanings of color.
- Sales Rank: #1101386 in Books
- Brand: Brand: UPNE
- Published on: 1995-02-15
- Original language: English
- Number of items: 1
- Dimensions: 9.18" h x 1.12" w x 6.00" l, 1.27 pounds
- Binding: Paperback
- 373 pages
- Used Book in Good Condition
Review
“The subtitle clearly delineates the subject matter of this important book on the subjectivity of color sense and theories thereof, from the late 19th century to the present . . . [Riley] stresses the relatively independent development of color ideas among the theorists chosen, speaking of interrelations usually only where they have some historical or conceptual validity; and he does so in a clear, intelligible style.” —Choice
“Riley's richly rewarding scholarly study explores the multiple meanings of color.” —Publishers Weekly
“In six intricate essays, the author discusses uses of color by the foremost contemporary artists, composers, philosophers, authors, architects, and psychologists . . . Riley's impressively wide-ranging knowledge demonstrate[s] the unique and varied perceptions in the field.”—Library Journal
Review
“A captivating book. Rich in information and graceful in its prose, I know of no other book on the subject with this kind of encyclopedic breadth. The vast amount of detail is handled with an ease that belies the years of research that must have gone into this project.” (Wendy Steiner, author of The Scandal of Pleasure)
“A tour de force . . . Color Codes is in a class by itself.” (C. L. Hardin, author of Color for Philosophers)
“In his wonderful book, Charles Riley makes color more graspable, more at hand than ever before. At the same time he enhances, indeed, seems to fuel our appreciation of the excitement of color.” (Frank Stella, artist and author of Working Space)
From the Publisher
6 x 9 trim. 8 color illus. LC 94-9733
Most helpful customer reviews
15 of 15 people found the following review helpful.
A Chromatic Feast
By Mark Mussari
This excellently researched, enlightening book by Riley offers a useful overview of chromatic developments in a number of fields (the person who called this book "cream puffs" misses the point completely). The book offers numerous examples of innovations and commentary on various artists (pictorial and literary) and their colorific tendencies. Connections to theory--from Derrida to Barthes--accompany many of the book's observations. As there is little serious critical work on color, Riley's book offers a useful stepping stone to further research. I would strongly suggest this work to anyone interested in color theory and approach. Riley is a lucid, engaging writer who has made a major contribution to color theory.
14 of 15 people found the following review helpful.
An original, ambitious book about the idea of color
By A Customer
Color Codes by Charles A. Riley II is an extraordinary example of inter-disciplinary thought, examining the fascinating topic of color through short essays on Modern and contemporary artists, architects, poets, novelists, psychologists, philosophers, composers and musical performers. Much of the most lively material in the book comes from direct encounters with artists in their studios and interviews. A passionate, ambitious book on a wonderful subject.
Claudine Napoli
7 of 16 people found the following review helpful.
Disappointing
By A Customer
Reading this book was like being served up a meal of cream puffs -- impressive at first glance, but ultimately unsatisfying due to lack of substance. Like many books that attempt to present the reader with a cafeteria-style synopsis of a subject (a bit of this, a bit of that...) this work is a disappointingly superficial survey of a most difficult and elusive subject. I think John Ruskin said it best: "A great many people do not know green from red; and such kind of persons are apt to feel it their duty to write scientific treatises on color, edifying to the art-world..."
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